Amores Perros

Drama, Thriller

Emilio Echevarría	El Chivo
Gael García Bernal	Octavio
Goya Toledo	Valeria
Álvaro Guerrero	Daniel
Vanessa Bauche	Susana
Jorge Salinas	Luis
Marco Pérez	Ramiro
Rodrigo Murray	Gustavo
Humberto Busto	Jorge
Gerardo Campbell	Mauricio
Rosa María Bianchi	Tía Luisa
Dunia Saldívar	Mama Susana
Adriana Barraza	Mama Octavio
José Sefami	Leonardo
Lourdes Echevarría	Maru
Laura Almela	Julieta
Ricardo Dalmacci	Andrés Salgado
Gustavo Sánchez Parra	Jarocho
Dagoberto Gama	Alvaro
Gustavo Muñoz	El Chispas
Gael Garcia Bernal
Alvaro Guerrero
Emilio Echevarria

Director	Alejandro González Iñárritu
Producer	Guillermo Arriaga; Raúl Olvera Ferrer; Alejandro Gonzalez Inarritu
Writer	Guillermo Arriaga Jordan

Alejandro Gonzalez Inarritu's striking Amores Perros is the film Pulp Fiction might have been if Quentin Tarantino were as interested in people as movies. A car crash in Mexico City entwines three stories: in one car is Octavio, who has been entering his dog in fights to get enough money run off with his sister-in-law Susana; in the other car is Valeria, a supermodel who's just moved in with her lover Daniel, who has left his wife for her. As Valeria struggles to recover from her injuries her beloved dog is lost under the floor of the new apartment. Professor-turned-revolutionary El Chivo, who has been living as a derelict/assassin after a long prison sentence, rescues Octavio's injured dog from the crash. All three learn lessons about their lives from the dogs.

Amores Perros opens with chaos, as Octavio and a friend drive away from the latest dogfight with the injured canine on the back seat and enemies in hot pursuit, then hops back, forward and sideways in time. It's a risky device, delaying crucial plot information for over an hour, but the individual stories, which weave in and out of each other with true-life untidiness, are so gripping you'll be happy to go along with them before everything becomes clear. Inarritu is a real find, a distinctive and subtle voice who upends all your expectations of Mexican filmmaking by shifting confidently from raw, on-the-streets violent emotion to cool, upper-middle-class desperation. A uniformly impressive cast create a gallery of unforgettable characters, some with only brief snippet-like scenes, others--such as Emilio Echevarria as the shaggy tramp with hidden depths--by sheer presence.

On the DVD: The anamorphic presentation, augmented for 16:9 TV, is of a pristine print and shows off the imaginative cinematography (with non-removable yellow English sub-titles). The soundtrack is Dolby Digital 5.1 and there are 15-minutes' worth of additional scenes with commentary by Inarritu and writer Guillermo Arriaga (evidently the surviving trace of an entire feature commentary available on a Mexican DVD release), explaining why they were cut. With a behind-the-scenes featurette, a poster gallery, three related pop videos (two by Inarritu) and the trailer (and trailers for other Optimum releases) the special features offer a more than adequate addition to Amores Perros. --Kim Newman